By: Austin Takahashi
Rating:
Love is a beautiful thing, without it; there would be no heart-shaped chocolates, Disney Channel Valentine’s Special, and self-willed abortions. But the movie industry interprets it as a means of luring millions of teenage, IQ-depraved girls to spend their allowance to see their favorite movie stars fall in the pitiful pit of love.
I am here with good intentions. I am here to tell the world that there are love stories out there that show true emotions that convey deep meaning both internally and externally. In Atonement, we go back to a world where cell phones are not yet used as the main tool of courting.
The first half hour deals with society’s usual outline for a chick flick where boy meets girl. Girl’s 10-year-old sister also likes boy and she catches boy and girl in a library. There, her long ignored question of “Mommy, where do babies come from?” gets answered in a very shocking way.
Except for the great cinematography, use of flashbacks, and structuring of the plot, I was slightly annoyed for most of the movie thinking that I was spending two more hours of my life watching another chick flick while I could’ve done something more important like picking my nose at Starbucks.
But as the film drew to its final moments, my senses were awakened as a last-minute twist was revealed, leaving me in a state of wonder at the genius on how Atonement used the romance of the couple as a mask that disguised its true message. The film couldn’t have ended in a more perfect way.
Atonement is a gorgeous magic trick. The beauty lies in its revelation on how brilliantly subtle it was performed. One viewing of this film is not enough to truly appreciate it. So I urge you dear reader, ignore New Moon, put on some pants, go to your nearest piracy outlet, buy a copy of Atonement, watch it, eat lunch, digest it, then watch it again.